2019-02-09: Aulin: VC2
2019-02-08: Heiss: VC
2019-01-10: Geissler: VC1
2019-01-07: Marteau: Coelum
2019-01-07: Cliquet-Pleyel: PC
2018-12-20: Marteau: Andante
2018-12-19: Massimo: Sancto
2018-11-29: Verley: Sclava
2018-11-15: Otsa: VC
2018-11-13: Eitan: VC
2018-11-11: Nilson Fysher
2018-10-25: Geissler: VC2
Anton Bauer was born on 23 January 1893 in Mallersdorf near Regensburg (Germany). He studied music at the university and the Akademie der Tonkunst in Munich. First he worked as a Kapellmeister, but was emploied as a Bavarian governmental music teacher since 1923. Anton Bauer moved a few times over the years and was active in Freising (where he was teacher at the Dom-Gymnasium), Cham, Rosenheim and Moosburg before he returned to Munich in his late years.
Anton Bauer composed mainly vocal music like songs, choral compositions and masses. He also wrote books on music theory like Atonale Satztechnik (1925) or Der Geigenkenner (1937). And Anton Bauer intensively researched about the folk music of Bavaria and published dozens of these collected compositions (for example "20 altbayerische Ländler", "30 altbayerische Tänze").
Anton Bauer died on 30 October 1950 in Munich.
I own a small collection of autograph manuscripts by Anton Bauer. A complete list can be found below, but among this collection is a Violin concerto in G major. It is dedicated to Franz Drechsler (1862-1934), a violinist and professor at the Akademie der Tonkunst in Munich from 1897 to 1921.
The work was published in piano reduction in 1921 by the Hermania Verlag in Munich. I just own two copies of this printed piano reduction, there are no hints in my documents that an orchestral version exists. Due to the fact that I found no other copies of the published score I will present the work here for preservation.
The sound snippet below is a computer realisation of the beginning of the concerto.
My Anton Bauer Archive
The following documents are part of the Anton Bauer collection:
Of the works by Anton Bauer especially the "Zwölftönemusik" from 1926 is an interesting composition. The score has the following introduction:
"The melodies of this Suite are constructed by the principles of twelve tone music."
Dodecaphony was an idea that was in many composer's minds around 1920. Nowadays only Arnold Schoenberg and his principles from 1921 are connected to dodecaphony, but there were others like Josef Matthias Hauer who also worked on the topic. Anton Bauer did not use the Schoenberg principles in this composition, but he used an own way of dodecaphony and that as early as 1926! So it seems to be an interesting composition as least from a historical point of view.
In addition to these works by Anton Bauer, the collection also contains manuscripts by Josef Bauer, the father of Anton Bauer (who was active in Trautmannsried according to a stamp in the manuscripts). This includes mainly handwritten copies of works by other composers and a few own compositions. There is also a printed song "Theissinger Heimatlied" by Rosa Bauer (his wife?) and an autograph manuscript of a March for winds from 1917 by a Joseph Bauer.